Rosanne Cash - The List

Written by Fantasma el Rey

Rosanne Cash, daughter of the legendary Johnny Cash and a great songwriter herself, is back with her twelfth studio album. It is a treasure of twelve of country music’s most essential recordings given Rosanne’s special touch with her wonderful vocals. The idea for the album came to her while touring for her last album, 2006’s Black Cadillac. Rosanne remembered a key lesson her father taught her about her country roots and thus through Johnny’s wisdom shines The List.

Black Cadillac was Rosanne’s way of expressing the loss she felt over her father, mother Vivian, and stepmother June Carter Cash in the album’s reflective tunes. In concert she told the audience about a time when she was 18 and her father realized her knowledge of country standards was limited. A few hours later Johnny came back with a list of what he titled “100 Essential Country Songs.” Rosanne recalls the list covering a wide range of songs in the country spectrum (including some of his own) from early folk and blues to the more modern sounds of Hank Williams Sr. and rockabilly, right up to what at the time, 1973, was current. She learned them all and came to embrace those songs as a “standard of excellence.” It was a reminder of who she was and where she came from.

In past covers Rosanne has done, including the Beatles’ “I Don’t Want To Spoil The Party,” she has always managed to make them her own and nothing has changed here. I have always been swept up in her beauty and her voice; she is the female voice of country I remember most from my youth. Her version of Johnny’s “Tennessee Flat Top Box” would have me smiling and singing along, and my mother would always call me to the television whenever the video came on. Rosanne was probably my first crush. I thought she was the prettiest girl (I loved her black hair and style of dress) with the most beautiful voice; I was smitten, and still am.

From the start, Rosanne’s voice takes center stage with the slow, country waltz of Jimmie Rogers’ classic “Miss The Mississippi And You.” Something in her smooth delivery, timing, and overall soothing voice captures me in a trance, as if I were a child again lost in her voice, and the story she tells is of simply missing someone and someplace. A sad story I can understand.

“Motherless Children” picks up the pace, and we get snapping, solid drum beats by Shawn Pelton, great string picking by John Leventhal (producer and Rosanne’s husband) on guitar, bass, and mandolin while Larry Campbell strokes the fiddle. Rosanne puts more in her vocals here too, digging deeper, getting more soulful and powerful as the band stays steady behind her.

“Sea Of Heartbreak,” which her father covered on his acclaimed Unchained album on American records, finds the first of Rosanne’s friends turning up to help her out. We get The Boss himself, Bruce Springsteen, providing his ragged vocals that actually fit well with Rosanne’s, making this well-done little remake a classic itself. I love the fact that she went slow with the tune as opposed to Johnny’s jumpy, high-energy version. Perfect.

Other guests include Elvis Costello on the Harlan Howard tune “Heartaches By The Number,” Rufus Wainwright on Merle Haggard’s “Silver Wings” and Wilco’s Jeff Tweedy on “Long Black Veil,” another tune done by Johnny at one time. These sad songs of loss never lack feeling and are done well as the men trade vocals and harmonize with Rosanne wonderfully.

Two songs I looked forward to most were the Hank Cochran/Patsy Cline song “She’s Got You” and a song her father and Bob Dylan did together, one of my all-time favorites “Girl From The North Country.” Rosanne carries both well and makes them new by putting her loving touch on them. On “Girl From The North Country” as well as “Long Black Veil” she doesn’t change the lyrics to reflect a women’s point of view. A bit odd, but she pulls it off as you can picture her singing these songs to herself somewhere like any other women who loves these songs would have done.

Rounding out the album are “500 Miles,” “Take These Chains From My Heart” (Hank Williams), “I’m Moving On” (Hank Snow) and “Bury Me Under The Weeping Willow” (The Carter Family). Rosanne works her magic on all wonderfully, leaving her heart and soul on the recordings she has adored since her youth.

The List is an album her fans will love and have waited for while fans of real country music can appreciate it for the love and care that Rosanne Cash has put into reworking these fine country staples, blending perfectly the traditional with the modern through her band and beautiful voice.

Legendary Performances: Merle Haggard

Written by Fantasma el Rey

Merle Haggard is a true country outlaw and with the Legendary Performances DVD we get fifteen classic tunes spanning 1968-83. In just under an hour we get a good look at what drove his popularity and made this former inmate a country music star. The Hag, as he’s known to many, has a straightforward style and simplicity to his music that everyday working folk can relate to. Hag sang about his first-hand experiences in life, love and troubling hard times. The outsider and outlaw posses a calm charm that helps convey his message through his voice and distinct sound, a sound that he would become known for and would be labeled the Bakersfield sound.

Merle Haggard was born in Bakersfield, California in 1937 and spent his early years in and out of detention centers, finally ending with a spell in San Quentin’s solitary confinement. While in prison he cherished visits by performers such as Johnny Cash and clung to his guitar and the music he loved. Bob Wills and Hank Williams were who he admired most and though young Merle’s music had nothing to with the rockin’ styling of other youths of the mid to late 1950s (though he had no problems with the young southern gents that birthed a hybrid sound of their own). Determined to change his life, Merle worked hard to gain his parole and never return, only looking back in song.

Mixing Wills’ western swing with Hank’s straight country, Merle began to write his life and thoughts in lyrics and began to sing at night around town while digging ditches during the day. By 1963 he was on a local record label and two years later his records appeared on the Capitol label. With The Strangers, a new recording and touring band that added more drive to Merle’s sound and along with label mate Buck Owens, they forged a new sound, one that would be named after the town whose streets they both had survived: Bakersfield. The rest as they say is history and plays out in Merle and The Strangers’ music.

The DVD gives a good look at Merle at the height of his fame. Beginning in ’68 with appearances on local music showcases such as Country Music Holiday, Country Carnival and The Porter Wagner Show, we have a Merle that looks a bit uncomfortable in front of the camera and corny sets. Leaving off in 1983 singing at the Country Music Association (CMA nowadays = Country My Ass) and a Johnny Cash Christmas special. The song selection is a perfect display of the themes that put Merle on the map, being the outsider, boozing over a lost love, and fierce pride in what he believes and who he is. Featuring hits like “Branded Man,” “Mama Tried,” “I Take A Lot Of Pride In What I Am,” “The Bottle Let Me Down,” “Swinging Doors,” “I Started Loving You Again,” “The Fighting Side Of Me,” “Okie From Muskogee” and “Workin’ Man Blues.”

“Mama Tried” is the story of a hell raising “one and only rebel child from a family meek and mild” that “turns 21 in prison” even though Mama tried to steer him straight. “Branded Man” is easily the tale of what happened after the rebel child was granted parole and wants to set things right and get his life back on track. “A branded man out in the cold” is the perfect example an outsider’s looking in; further reflected upon in “Pride In What I Am.” “Pride” follows the life of a homeless man as he wanders the hobo jungles and streets of Chicago while looking back on life. More classic Merle and the outlook of the loner.

“Swinging Doors,” “The Bottle Let Me Down” and “Loving You Again” are Merle’s thinking, drinking, and dreaming songs. Sad tunes that reveal a softer side of the outlaw filled with pain in his heart over the girl who left or that he left behind. He gets close to forgetting her but his friend the bottle lets him down, lets her memory creep back in, and he starts loving her again. The missing side of the outlaw heart is the loving song about hard times, struggle, and the love for family that drives a man to do his best to provide for them, “If We Make It Through December.”

“Working Man Blues” stands on its own and is here worked out in a rocking jam complete with yakety sax and pumping piano, yet Merle manages to keep the pace jazzy and rather than rock ‘n’ roll. Ever since I was a teenage “pin monkey” working for peanuts at the local bowling alley, the song has had a place in my mind. The song took stronger hold and meaning as the years passed and I learned what it is to give up much for the good of family. You drink a little beer on the weekends, think about bumming around, but go back to doing what’s right and providing for your loved ones.

“Fighting Side” and “Okie” might just be Merle’s biggest hits that came at a time when the nation was colliding into each other and sides were being chosen across the nation. Merle hits hard with these tunes, which are really just extensions of his pride songs. He gives his point of view strong and solid but manages not to go over the edge, seeming to say “I get what you’re saying but don’t cotton to it. So you stay on that side and we’ll get along fine;” Seems simply enough, “I’ll stand my ground; you stand yours.” “Okie” on the other hand is a tune that I could just never take seriously seeing as how Merle never did too much either. It was kind of a joke and came about as the band passed said town one day while touring. Merle thought about the troubles on college campuses and wondered about life, hippies, and dope use in small-town Muskogee, Oklahoma and it all rolled from there.

Legendary Performances - Merle Haggard is truly that and in bonus features we get to see an older Merle, comfortable with the camera and joking with the crowd at his Hall of Fame induction ceremony. We even get firsthand knowledge of the man’s life in an interview filmed with his life Leona in their big ol’ touring bus. Entertaining and well done, I find this disc easily added to the list of “best things to come across my desk this year.” So go get it, fan or not, it’s a good look at a living country legend and true outlaw.

Johnny Cash: Christmas Special 1976 & 1977

Written Fantasma el Rey

Johnny Cash and his troupe delivered two excellent Christmas specials in 1976 and 1977, during a high point of his career, still very active and touring heavily just a few years after his television show was canceled. Johnny showcased his talent and charisma, smiling and singing with old friends and family bringing into American homes a true spirit of Christmas. And now for the first time in thirty years these holiday gems are available for all to enjoy.

The 1976 special was filmed in Tennessee at Johnny’s home in Bon Aqua and his place in Hendersonville just outside Nashville, giving a country-style “home for the holidays” feel to the show. Johnny opens by singing “Wandering” while he explores some land around his farm after which he cruises over to pick up his guest Tony Orlando and the fun begins. From Johnny, June, and Tony we get to hear Tony’s “Tie A Yellow Ribbon Round The Ole Oak Tree” and are then treated to Johnny on his own, reflecting about “Christmas As I Knew It.” The song tells of his boyhood in Dyess, Arkansas, although the tune was actually written by June and Jan Howard. The tale of youth is a captivating one as always.

To switch it up a bit, Roy Clark joins Johnny and the two country boys sing pop tunes that they heard on the radio while growing up in the south, showing the world that good music is what they loved most no matter what it was labeled. Singing their versions of “Far Away Places,” “Juke Box Saturday Night,” “That Lucky Old Sun,” and that classic “The Christmas Song,” all while Johnny strums a guitar and Roy picks his banjo. To end the first half of the special Tony joins the boys for a tribute to Stephen Foster “a man from the north who wrote such great things about the south.” Foster’s tunes “Camptown Races,” “Old Folks At Home” and Oh! Susanna” are represented well by their wonderful voices.

In the second half of the 1976 special we move to Johnny and June’s large living room for a “guitar pullin’” where everyone gathers around and is given a turn doing what they do best, whether it be singing, playing an instrument, or both. The fine voices of June, Barbara Mandrell, and Johnny’s younger brother Tommy are heard on “Follow Me,” “It’s A Beautiful Morning With You” (Barbara) and “That Christmas Feeling” respectively. Instrumentals are put into the spotlight by Barbara, who treats us to her steel-guitar skills with “Steel Guitar Rag,” and Merle Travis, displaying his guitar mastery on “Cannonball Rag.” The Carter Family, sisters Anita, Helen, and June, along with Jan Howard chime in with their sweet harmonies on “In The Pines.”

To close the first special Johnny brings out Billy Graham who does a recitation of the birth of Jesus but puts a twist to it by using an excerpt from Bret Harte’s The Luck Of Roaring Camp. Well done by Graham who pulls everyone back and speaks of the true meaning and celebration of Christmas being family, friends, and the life of baby Jesus.

A year later, 1977, Johnny and crew were back with different guests and a slightly different special, this time filmed at Nashville’s Grand Ole Opry House. This year Johnny is joined by some friends that had been there at the start of his career, back when they where young men just staring out in the music world: Carl Perkins, Roy Orbison, and Jerry Lee Lewis. Also appearing this year would be The Statler Brothers and the return of Roy Clark and The Carter Family.

The set opens with Johnny singing “Christmas Time’s A-Comin’” and moves right on to Johnny and June performing one of my favorites John Sebastian’s “Darlin’ Companion.” From there Johnny tells the story of his lonely holiday in Germany while in the Air Force and how he came to own and learn to play his first guitar. With help from The Statler Brothers, (all of them, including Johnny are dressed in military fatigues) “This Ole House” and “Blue Christmas” are given a fine vocal group treatment.

The first of three tributes that night are sung by Johnny and Roy Clark, paying their respect in song to the Christmas hits of singing cowboy Mr. Gene Autry. People sometimes forget that Autry launched some of the songs we love so much during the holidays, songs that everyone all over the world enjoys. They are “Here Comes Santa Claus,” “Frosty The Snow Man,” and “Rudolph, The Red Nosed Reindeer” on which The Statlers and The Carter Family join in.

Tribute two is in honor of the Sun Records label and the man, Sam Phillips, who gave Johnny and three of his guests their break in music by letting them play and sing what they felt in their hearts to be good music, paving the way for the rise of rock’n’roll and rockabilly. Our host kicks it off with one of his first hits and another of my favorites “Big River.” The king of rockabilly steps up next with his self-penned hit “Blue Suede Shoes,” which leads into the soft voice of Roy Orbison singing his signature tune “Pretty Women.” Although that was recorded for Monument Records, Orbison made his first singles on the Sun label. Last and never least is The Killer himself Jerry Lee Lewis rattling the Opry with “Whole Lot Of Shakin’ Going On” then transitioning smoothly into “White Christmas.”

From there Johnny takes center stage to acknowledge two others on the Sun label who enjoyed success, Charlie Rich and Conway Twitty. Johnny also bows his head to the recently fallen King, Elvis Presley, who had passed away just two short months prior to the filming of the special and setting up the last tribute of the night. In honor of Elvis and his love for gospel music the four Sun gods, three of whom where present at the historic Million Dollar Quartet session, perform “This Train Is Bound For Glory.” Fitting not only for Elvis’ gospel upbringing but also for the fact that one of big E’s early Sun singles was the blues cover “Mystery Train.”

To close the show this year, Johnny brings out all the performers to sing together on “Silent Night,” “O Little Town Of Bethlehem,” “Hark! The Herald Angels Sing,” and “Children Go Where I Send Thee,” a tune that he had been closing his regular shows with for years. During the singing of “Bethlehem” and “The Herald Angels Sing,” scenes of Johnny, June, and their young son John Carter in the Holy Land are shown. Johnny does some narration here as well and ends the special with goodwill and best wishes to all from the land of Jerusalem.

All in all, the two Johnny Cash Christmas Specials 1976 and 1977 are worth the watch and make good additions to any Cash fan’s collection. As always with Cash you get a feeling that he’s talking straight to you and inviting you into his house to keep warm and celebrate Christmas with his family as if you were a member too. That’s part of what made Johnny Cash the larger than life legend that he is, his heart and willingness to give you the shirt off his back when you needed it. Not to forget his amazing voice and awesome ability to convey a song right to your heart and make you see what he sees and feel as he feels. A talented rebel and county outlaw with a heart and a winning smile. How can you not admire that?